POETRY, MUSIC, ART

POETRY, MUSIC, ART
SILENCE HAS A NAME - Poetry Chapbook and CD, with Music by Mark Hanley

Wednesday, July 28, 2010

Taking Snarky to New Heights

Anybody who knows me or reads this blog knows I'm a fan of Bourdain's. I fell upon his show, No Reservations and was smitten; then read his books, Kitchen Confidential; A Cook's Tour; The Nasty Bits, and the infatuation grew. As a writer, he's hot. He's made an art of the rant, and is as willing and eager to skewer himself as others. "See, what I've done and do to myself. Don't mind me," he seems to tell us.

But of course we do mind. And of course he wants us to.

Who wouldn't adore his colorful digs into his past and the characters who people it? When he's the extravagant bad boy, flourishing all his feathers, he's hard to beat. The tone of most of his reminiscences, the stuff of his previous books, is a cross between mea culpa and kimo no sabe, meaning, "Me, I'm just a charming asshole, what can I tell you?"

It's a different story altogether, however, when Bourdain is out for someone else's blood. The humor and gusto turn rank and vile. I feel as if I'm being lowered into a Draculean dungeon where there is only one beast trying desperately to have fun. And it's not pretty.

Not that Bourdain is out to please. His writing and charm have never been about that. But what's with the no-holds-barred assaults on sextegarians. Give 'em a break, man.

Medium Raw, A Bloody Valentine to the World of Food and the People Who Cook, Bourdain's latest diatribe of excess, delivers everything you'd expect -- and some. Personally, I can live without the climactic sequence in the first chapter of a time he sat down to eat with some famous names in the biz, and partook of a sizzling ortolan, a finch-like bird that costs upwards of 250-dollars in France -- due to the fact it's a protected species. His vivid description of biting with relish into the bones of that bird and sucking out its guts offends every aspect of my Buddhist vegetarian heart, even though I have to hand it to Bourdain.  He can write; he will tell you what that experience was like in vivid MGM detail, like it or not.

In Medium Raw, you get plenty of rants. One, about his drug-soaked past hopping islands with a nutty heiress; mostly, you get riffs on who is and who is not worthy of B's respect -- this man who claims to feel so unworthy himself, such an outsider in this world. Yet he wields his opinion like a ninja with a razor-sharp cleaver.

Bourdain devotes an entire chapter to skewering Alice Waters, the owner of Chez Panisse and promoter of "Edible Schoolyards" and local foods that are sustainable, and aims 15-pages of bile at GQ food writer Alan Richman, who made the mistakes of negatively critiquing Les Halles, the restaurant in which Bourdain worked years ago, and questioning the authenticity of Creole cuisine -- the latter, in 2006.

All of this seems snarky indeed -- snarky being Bourdain's favorite critical word. If there's one thing Bourdain makes clear is that he's a self-proclaimed outsider who doesn't feel worthy to sit at the same table as his peers. At the same time, he expects you to listen to what he knows and to believe him. He's the authority without authority, the everyman who's won the lotto and whose opinion now, on account of his good luck, is worth gold. Even when he turns nasty, and maybe because he turns nasty, he is worth gold. This is a country after all in which a single negative rant can make a person famous.

Which is not to say that Bourdain is not really eloquent. He is. Or not right. He may be. But those nasty repasts are hard to take and I'd much rather partake of the savvy, playful host who invites everyone to his table, savoring differences and taking issue with none.

What Bourdain does best is write well about the food he loves and the cultures and traditions from which those foods come, and in this regard, Medium Raw does not disappoint. It makes you salivate and smile and long to go where the man has traveled and do what he has done.

For example, here's a description in Medium Raw of an early morning jaunt to a Parisian boulangerie for fresh baked baguettes:

"They're too hot to eat but you grab one anyway, tearing it open gingerly, then dropping two fingers full of butter inside. It instantly melts into liquid -- running into the grooves and inner spaces of white interior. You grab it like a sandwich and bite, teeth making a cracking sound as you crunch through  the crust. You haven't eaten since yesterday lunch, your palate is asleep and just not ready for so  much sensation. The reaction is violent. It hurts. Butter floods your head and you think for a second you are  going to pass out."

I find my relationship with Bourdain runs like this. When I like him, it's a love fest. When I don't, I want to toss everything in my kitchen cupboards at him. Why do I think I am not alone?

Tuesday, July 27, 2010

Good Morning Sunshine!

July 27, 2010

As a Colombian with an addiction for top shelf espresso, I have the right to post this. As a recovering alcoholic, I don't. Still the idea fascinates me. I am sure those of you who read this will steer clear of this narcotic temptation (thus keeping me from bad karma for passing it along), and just indulge, if you must, on one of those mornings when all you have to do is lolligag in bed with a partner alongside a basket of croissants and one of these drinks while watching The Thin Man -- because that's about all you'll be good for.

Did you know, by the by, that a pinch of salt in your java will cut the bitterness? The Hungarians, Turks and Northern Swedes do it. Try a splash of salt in the filter when prepping an espresso. Then, if you want to skip the alcoholic jolt and go right to bliss, grab a square of fine chocolate to nibble on while sipping your brew. That's jolt enough for me! But, read on java freaks. This one's for you.

http://dinersjournal.blogs.nytimes.com/2010/07/26/morning-joe-with-a-jolt/?ref=dining

Wednesday, June 30, 2010

A Supreme Espresso To Go

June 30, 2010

Check out this super handy, futuristic beauty. An espresso machine to go. Enjoy the link. Or for quicker access, double click one of the comments to the right for a full view of this blog page from The New York Times.

http://topics.blogs.nytimes.com/2009/04/30/a-magic-wand-for-espresso/#comments

Kindle Wireless Reading Device (6" Display, Global Wireless, Latest Generation)

Sunday, June 6, 2010

Edging Toward Grace

June 7, 2010


"Try to be one of the people on whom nothing is lost." -- Henry James

The James quote about the writer's task appears in a story by Jay McInerney in How It Ended, New and Collected Stories, published in 2009. I came upon the collection Sunday at a local Borders while running from a brewing storm that never delivered. Thankfully, the stories did.

McInerney, Bret Easton Ellis and Tama Janowitz were part of the literary bratpack of the 80s. Janowitz and McInerney, based in New York, focused on the travails of colorful and jaded characters on their home turf, while Ellis tapped the soul malaise and ennui of white youth on the West coast. I read McInerney's Bright Lights in the 80s in one sitting, and found it fast-paced, real and riveting.

The 26 stories in How It Ended were written over the period of as many years, and take place mostly in New York City. McInerney's characters revel in postmodern angst, and are of all classes and habits. Among them -- the girl with a shaved head and tattooed scalp of "It's Six A.M., Do You Know Where You Are?"; the coke head and prostitute in "The Queen and I"; the cheating husband and pill-popping wife of "I Love You, Honey," a story about lies, faith and deception set in the immediate aftermath of 9/11. These characters dream of leading different lives, of being someone other than who they are, of waking up somewhere other than where they really live, and dabble in their illusions. Sometimes their fantasies come true, as in "The Queen and I." But it's longing for them that seems to matter more. More often than not, dreams are mere remainders of a past that cannot be recaptured.

"You remember another Sunday morning in your old apartment on Cornelia Street when you woke to the smell of bread from the bakery downstairs. There was the smell of bread every morning, but this one you remember. You turned to see your wife sleeping beside you. Her mouth was open and her hair fell down across the pillow to your shoulder. The tanned skin of her shoulder was the color of bread fresh from the oven. Slowly, and with a growing sense of exhilaration, you remembered who you were..." -- from "It's Six A.M., Do You Know Where You Are?"

It's not just who you are, but where you come from that matters. "The Waiter," a subtle and elegant story about class that transpires in a cafe, is largely comprised of a conversation between a young man and two women, one of whom is European, and recalls the work of Ernest Hemingway. McInerney also admires F. Scott Fitzgerald, whose subjects were also class, greed and the human heart.

In the early 80s, after getting fired from his job as "fact-checker" at The New Yorker, McInerney was lucky enough to study under Raymond Carver, a master of the short story form, and Tobias Wolff at Syracuse University. Although McInerney has said he finds the short story form daunting, the stories in How It Ended explore important issues with grace and depth and prove he is at home in the genre.

Monday, May 31, 2010

On the Subject of (god help us ) Mindful Eating

May 31, 2010

I'm eager to post news of a really delightful and helpful read. It was a present actually, which is the best incentive to read anything. Sally Ling, a master chef who owns and operates Sally Ling's Gourmet Chinese Restaurant in Fort Lee, gave me Savor, Mindful Eating, Mindful Life, written by Thich Nhat Hanh and Dr. Lilian Cheung, who is a friend of Sally's and a lecturer on the subject of healthy eating and director of health promotion and communication at the Harvard School of Public Health's Department of Nutrition.

Thich Nhat Hanh is a famous Zen Buddhist monk who has authored many books on the subject of creating peace within and in the world, and runs Plum Village in France, dedicated to mindful living.

I'm a Buddhist, and I've read most of Thich Nhat Hanh's works over the years. I once saw a video of him that ran about 20 minutes and focussed entirely on his mindful eating of an orange. The master spoke slowly, peeling the orange with grace, teaching the viewer not only how to savor and appreciate every bite, but how to be aware of how this gift from the earth that feeds us and keeps us alive relates to all other living things and processes. The video and lesson in mindfulness so impressed me that a few years later I tried his experiment with a group of middle school aged students at an afterschool center. Shocked with the way the kids would throw food at one another at snacktime and treat it essentially like garbage, I hoped to shift their attitudes about eating just a little. I had built up a strong relationship with them by then, and I'm sure that helped to create the spirit of respect and quiet in which about 20 children who had selected their own fruit out of a basket, peeled a banana or an orange, appraised and appreciated their snacks as they ate them. It was a lesson unlike any other these kids, who came from largely poor backgrounds, had experienced on the subject, and whatever success I had in teaching it I owe to Zen Master Hanh.

To a large extent, Savor, like many other good books out there on the subject of mindful eating, appeals to common sense. But it goes further. Sometimes you have to back up common sense with science. Research now shows how the body and mind are interrelated, and the book is based on the notion, now scientifically supported, that it's not only what we eat and drink but the way we eat and drink that "profoundly affects our physical and mental well-being." The authors follow a Buddhist-based approach to nutrition, suggesting essentially that individuals take time and put thought into eating, and experience the process with all their senses.

In order to look honestly at what we eat, how much and why, the authors suggest starting a food journal. It's not a bad idea. So many of us become totally unconscious around the process of eating either because we're on the run, watching TV or paying attention to everything but what we're ingesting.

Some of the common sense advice, supported by studies, Cheung and Hanh:

* Eat three to four reasonable meals a day.
* Avoid skipping breakfast.
* Go to bed at a reasonable hour and try to get a good night's rest.
* Eat healthy carbs such as fruits, legumes, vegetables and whole grains as these are full of vitamins, minerals and fiber.
* Practice mindful breathing and meditation to reduce stress in your life and supplement a healthy diet.

An Appendix is chock full of resources, and the numerous notes in back attest to the fact that this is both a richly insightful and well researched book. Timely and important, it presents a model of right thinking and right eating for our age.